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French Cinema (Art)
A Very Short Introduction | Art
French Cinema
ISBN: 9780198718611
Series: A Very Short Introduction
French Cinema (Art)
A Very Short Introduction French Cinema (Art) Media > Books > Non-Fiction > Education Books Expect Delays of Up to 4 WeeksOrder Below |
ISBN
9780198718611 (10-digit ISBN: 0198718616)
- Description
- Key Features
- Series Description
- Table of Contents
- Explores films from all periods of French cinema through a thematic approach, identifying linking motifs and the lineage of cinematic style
- Clarifies French cinema's relation to Hollywood and other cinemas
- Considers the impact of major eras in France's recent history on French cinema
- Analyses French film's relationship with contemporary art, literature, music, and drama
It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until World War 1, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. The French invented the "auteur" and the "ciné-club"; they incubated criticism from the 1920s to our own day that is unrivalled; and they boast more film journals, fan magazines, TV shows, and festivals devoted to film than anywhere else.
This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide. Exploring the entire French cinematic oeuvre, Dudley Andrew teases out distinguishing themes, tendencies, and lineages, to bring what is most crucial about French Cinema into alignment. He discusses how style has shaped the look of female stars and film form alike, analysing the "made up" aesthetic of many films, and the paradoxical penchant for French cinema to cruelly unmask surface beauty in quests for authenticity. Discussing how French cinema as a whole pits strong-willed characters against auteurs with high-minded ideas of film art, funded by French cinema's close rapport to literature, painting, and music, Dudley considers how the New Wave emerged from these struggles, becoming an emblem of ambition for cinema that persists today. He goes on to show how the values promulgated by the New Wave directors brought the three decades that preceded it into focus, and explores the deep resonance of those values today, fifty years later.
Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible.
Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library.
Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.
Please note: As this series is not ELT material, these titles are not subject to discount.
Introduction
1:The 'makeup' of French film and its demaquillage: Jeanne Moreau
2:The insurgency of the authentic and the regime of strong fathers : Jean Gabin
3:Renoir and Bresson: two incomparable sources
4:An intellectual cinema looks back to tradition and forward to the end of history
5:The school of the New Wave and the lessons it has taught
Further reading
Index
It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until World War 1, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. The French invented the "auteur" and the "ciné-club"; they incubated criticism from the 1920s to our own day that is unrivalled; and they boast more film journals, fan magazines, TV shows, and festivals devoted to film than anywhere else.
This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide. Exploring the entire French cinematic oeuvre, Dudley Andrew teases out distinguishing themes, tendencies, and lineages, to bring what is most crucial about French Cinema into alignment. He discusses how style has shaped the look of female stars and film form alike, analysing the "made up" aesthetic of many films, and the paradoxical penchant for French cinema to cruelly unmask surface beauty in quests for authenticity. Discussing how French cinema as a whole pits strong-willed characters against auteurs with high-minded ideas of film art, funded by French cinema's close rapport to literature, painting, and music, Dudley considers how the New Wave emerged from these struggles, becoming an emblem of ambition for cinema that persists today. He goes on to show how the values promulgated by the New Wave directors brought the three decades that preceded it into focus, and explores the deep resonance of those values today, fifty years later.
Key Features
- Explores films from all periods of French cinema through a thematic approach, identifying linking motifs and the lineage of cinematic style
- Clarifies French cinema's relation to Hollywood and other cinemas
- Considers the impact of major eras in France's recent history on French cinema
- Analyses French film's relationship with contemporary art, literature, music, and drama
Series Description
Oxford's Very Short Introductions series offers concise and original introductions to a wide range of subjects--from Islam to Sociology, Politics to Classics, Literary Theory to History, and Archaeology to the Bible.
Not simply a textbook of definitions, each volume in this series provides trenchant and provocative--yet always balanced and complete--discussions of the central issues in a given discipline or field. Every Very Short Introduction gives a readable evolution of the subject in question, demonstrating how the subject has developed and how it has influenced society. Eventually, the series will encompass every major academic discipline, offering all students an accessible and abundant reference library.
Whatever the area of study that one deems important or appealing, whatever the topic that fascinates the general reader, the Very Short Introductions series has a handy and affordable guide that will likely prove indispensable.
Please note: As this series is not ELT material, these titles are not subject to discount.
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