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Studies in the History of the Renaissance (British and Irish Literature)
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Studies in the History of the Renaissance
ISBN： 9780199535071
Series: Oxford World's Classics: イギリス・アイルランド文学
Studies in the History of the Renaissance (British and Irish Literature)
Oxford World's Classics: イギリス・アイルランド文学 Studies in the History of the Renaissance (British and Irish Literature) メディア > 書籍 > ノンフィクション > 言語学習書 Expect Delays of Up to 4 Weeks
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ISBN
9780199535071 (旧規格ISBN： 0199535078)
- 説明
- シリーズの説明
作家名：ペイター
放題：ルネサンス
'art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake' In Studies in the History of the Renaissance (1873), a diffident Oxford don produced an audacious and incalculably influential defence of aestheticism. Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Pater redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic's aesthetic responses. At the same time, reclaiming the Hellenism that he saw as the most characteristic aspect of the Renaissance, he implicitly celebrated homoerotic friendship. Pater's infamous 'Conclusion', which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition, recapturing its initial impact, and the Introduction celebrates its doomed attempt to stand out against the processes of industrialization.
放題：ルネサンス
'art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake' In Studies in the History of the Renaissance (1873), a diffident Oxford don produced an audacious and incalculably influential defence of aestheticism. Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Pater redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic's aesthetic responses. At the same time, reclaiming the Hellenism that he saw as the most characteristic aspect of the Renaissance, he implicitly celebrated homoerotic friendship. Pater's infamous 'Conclusion', which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition, recapturing its initial impact, and the Introduction celebrates its doomed attempt to stand out against the processes of industrialization.
Oxford World’s Classics は、誰もが知る有名な物語から一般読者にはなじみの薄い隠れた名作まで、古典や文芸作品の数々を100年以上に渡り提供し続けているオックスフォード大学出版局を代表する叢書です。 現在メソポタミア神話から20世紀小説の名著まで、約770タイトルを刊行しており、各作品に相応しい専門家を校訂者に迎え、原典に解題、注釈、年代記、関係書目を付して紹介しています。必要に応じ、地図や用語集、索引、図版等の付録をつけているほか、読者に最新の研究動向を踏まえた作品理解を促すべく、定期的な新刊の追加や、既刊タイトルの改版を行っています。
(注意：本書は、原文を掲載した書籍です。グレイデッド･リーダーではありません）
作家名：ペイター
放題：ルネサンス
'art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake' In Studies in the History of the Renaissance (1873), a diffident Oxford don produced an audacious and incalculably influential defence of aestheticism. Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Pater redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic's aesthetic responses. At the same time, reclaiming the Hellenism that he saw as the most characteristic aspect of the Renaissance, he implicitly celebrated homoerotic friendship. Pater's infamous 'Conclusion', which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition, recapturing its initial impact, and the Introduction celebrates its doomed attempt to stand out against the processes of industrialization.
放題：ルネサンス
'art comes to you professing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake' In Studies in the History of the Renaissance (1873), a diffident Oxford don produced an audacious and incalculably influential defence of aestheticism. Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Pater redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic's aesthetic responses. At the same time, reclaiming the Hellenism that he saw as the most characteristic aspect of the Renaissance, he implicitly celebrated homoerotic friendship. Pater's infamous 'Conclusion', which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first edition, recapturing its initial impact, and the Introduction celebrates its doomed attempt to stand out against the processes of industrialization.
シリーズの説明
Oxford World’s Classics は、誰もが知る有名な物語から一般読者にはなじみの薄い隠れた名作まで、古典や文芸作品の数々を100年以上に渡り提供し続けているオックスフォード大学出版局を代表する叢書です。 現在メソポタミア神話から20世紀小説の名著まで、約770タイトルを刊行しており、各作品に相応しい専門家を校訂者に迎え、原典に解題、注釈、年代記、関係書目を付して紹介しています。必要に応じ、地図や用語集、索引、図版等の付録をつけているほか、読者に最新の研究動向を踏まえた作品理解を促すべく、定期的な新刊の追加や、既刊タイトルの改版を行っています。
(注意：本書は、原文を掲載した書籍です。グレイデッド･リーダーではありません）
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