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The Mark on the Wall and Other Short Fiction (British and Irish Literature)
Oxford World's Classics: British and Irish Literature | British and Irish Literature
The Mark on the Wall and Other Short Fiction
ISBN： 9780199554997
Series: Oxford World's Classics: イギリス・アイルランド文学
The Mark on the Wall and Other Short Fiction (British and Irish Literature)
Oxford World's Classics: イギリス・アイルランド文学 The Mark on the Wall and Other Short Fiction (British and Irish Literature) メディア > 書籍 > ノンフィクション > 言語学習書 Expect Delays of Up to 4 Weeks
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ISBN
9780199554997 (旧規格ISBN： 0199554994)
- 説明
- シリーズの説明
作家名：ウルフ
放題：壁のしみ、ほか
'I shall never forget the day I wrote "The Mark on the Wall" - all in a flash, as if flying, after being kept stone breaking for months. "The Unwritten Novel" was the great discovery, however. That - again in one second - showed me how I could embody all my deposit of experience in a shape that fitted it...I saw, branching out of the tunnel I made, when I discovered that method of approach, Jacob's Room, Mrs Dalloway etc - How I trembled with excitement.' The thrill Woolf got from these stories is readily apparent to the reader. She wrote them in defiance of convention, with a heady feeling of liberation and with a clear sense that she was breaking new ground. Indeed, if she had not made her bold and experimental forays into the short story in the period leading up to the publication of Jacob's Room (1922), it seems certain that her arrival as a great modernist novelist would have been delayed. Quirky, unrestrained, disturbing and surprising, many of these stories, particularly the early ones, are essential to an understanding of Woolf's development as a writer. She thought some of her short fiction might be 'unprintable' but, happily, she was mistaken.
放題：壁のしみ、ほか
'I shall never forget the day I wrote "The Mark on the Wall" - all in a flash, as if flying, after being kept stone breaking for months. "The Unwritten Novel" was the great discovery, however. That - again in one second - showed me how I could embody all my deposit of experience in a shape that fitted it...I saw, branching out of the tunnel I made, when I discovered that method of approach, Jacob's Room, Mrs Dalloway etc - How I trembled with excitement.' The thrill Woolf got from these stories is readily apparent to the reader. She wrote them in defiance of convention, with a heady feeling of liberation and with a clear sense that she was breaking new ground. Indeed, if she had not made her bold and experimental forays into the short story in the period leading up to the publication of Jacob's Room (1922), it seems certain that her arrival as a great modernist novelist would have been delayed. Quirky, unrestrained, disturbing and surprising, many of these stories, particularly the early ones, are essential to an understanding of Woolf's development as a writer. She thought some of her short fiction might be 'unprintable' but, happily, she was mistaken.
Oxford World’s Classics は、誰もが知る有名な物語から一般読者にはなじみの薄い隠れた名作まで、古典や文芸作品の数々を100年以上に渡り提供し続けているオックスフォード大学出版局を代表する叢書です。 現在メソポタミア神話から20世紀小説の名著まで、約770タイトルを刊行しており、各作品に相応しい専門家を校訂者に迎え、原典に解題、注釈、年代記、関係書目を付して紹介しています。必要に応じ、地図や用語集、索引、図版等の付録をつけているほか、読者に最新の研究動向を踏まえた作品理解を促すべく、定期的な新刊の追加や、既刊タイトルの改版を行っています。
(注意：本書は、原文を掲載した書籍です。グレイデッド･リーダーではありません）
作家名：ウルフ
放題：壁のしみ、ほか
'I shall never forget the day I wrote "The Mark on the Wall" - all in a flash, as if flying, after being kept stone breaking for months. "The Unwritten Novel" was the great discovery, however. That - again in one second - showed me how I could embody all my deposit of experience in a shape that fitted it...I saw, branching out of the tunnel I made, when I discovered that method of approach, Jacob's Room, Mrs Dalloway etc - How I trembled with excitement.' The thrill Woolf got from these stories is readily apparent to the reader. She wrote them in defiance of convention, with a heady feeling of liberation and with a clear sense that she was breaking new ground. Indeed, if she had not made her bold and experimental forays into the short story in the period leading up to the publication of Jacob's Room (1922), it seems certain that her arrival as a great modernist novelist would have been delayed. Quirky, unrestrained, disturbing and surprising, many of these stories, particularly the early ones, are essential to an understanding of Woolf's development as a writer. She thought some of her short fiction might be 'unprintable' but, happily, she was mistaken.
放題：壁のしみ、ほか
'I shall never forget the day I wrote "The Mark on the Wall" - all in a flash, as if flying, after being kept stone breaking for months. "The Unwritten Novel" was the great discovery, however. That - again in one second - showed me how I could embody all my deposit of experience in a shape that fitted it...I saw, branching out of the tunnel I made, when I discovered that method of approach, Jacob's Room, Mrs Dalloway etc - How I trembled with excitement.' The thrill Woolf got from these stories is readily apparent to the reader. She wrote them in defiance of convention, with a heady feeling of liberation and with a clear sense that she was breaking new ground. Indeed, if she had not made her bold and experimental forays into the short story in the period leading up to the publication of Jacob's Room (1922), it seems certain that her arrival as a great modernist novelist would have been delayed. Quirky, unrestrained, disturbing and surprising, many of these stories, particularly the early ones, are essential to an understanding of Woolf's development as a writer. She thought some of her short fiction might be 'unprintable' but, happily, she was mistaken.
シリーズの説明
Oxford World’s Classics は、誰もが知る有名な物語から一般読者にはなじみの薄い隠れた名作まで、古典や文芸作品の数々を100年以上に渡り提供し続けているオックスフォード大学出版局を代表する叢書です。 現在メソポタミア神話から20世紀小説の名著まで、約770タイトルを刊行しており、各作品に相応しい専門家を校訂者に迎え、原典に解題、注釈、年代記、関係書目を付して紹介しています。必要に応じ、地図や用語集、索引、図版等の付録をつけているほか、読者に最新の研究動向を踏まえた作品理解を促すべく、定期的な新刊の追加や、既刊タイトルの改版を行っています。
(注意：本書は、原文を掲載した書籍です。グレイデッド･リーダーではありません）
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